Unlike traditional sculpture, a papier mache piece is one of a kind artistic work never to be duplicated again. It is a unique art form valued for its ability to take many forms, its flexibility and the range of patinas and paint that enhance its originality.
Historically, the word “papier- mache” is derived from the French meaning chewed paper. But despite its French sounding name it was not made in France until the mid-17th century. Papier Mache actually originates from China. In the second century AD the Chinese used papier mache he to make war helmets that were then reinforced with lacquer. The art form was taught to the Arabs who made objects of art from old fish nets, rags, and paper.
The Persians produced small objects of art such as mirror cases, toys, pencil boxes, and snuff boxes. The art form spread to Europe during the 17th and 19th centuries and now is represented in its many sculptural forms in museums and private collections.
Sarah Holmberg has reinvented Papier Mache once again reflective of her lifetime equestrians experiences. Her sculptures are a symbolic mixture of nature and earthly surroundings, as she grounds the human patronage of the horse with her delightful, touching, whimsical humor. Each piece is unique, many commissioned to create a type of three dimensional portrait combining patron, horse, and pet. Constantly expanding her vision of nature and animals, Sarah continues to paint and sculpt in her Tryon Studio in North Carolina.
